January
The Machine Which Makes Everything Disappear (Tinatin Gurchiani, 2012)
Featured writers
Alice Lovejoy (University of Minnesota) and Ilona Hongisto (Macquarie University)
February
13th (Ava DuVernay, 2016)
Featured writers
Stephen Charbonneau (Florida Atlantic University) and Alex Johnston (UC, Santa Cruz)
March
Oyster Factory (Kazuhiro Soda, 2015)
Featured writers
Chris Cagle (Temple University) and Luke Robinson (University of Sussex)
April
Weiner (Josh Kriegman and Elyse Steinberg, 2016)
Featured writers
Maria Pramaggiore (Maynooth University) and Jason Middleton (University of Rochester)
May
Toponimia (Jonathan Perel, 2015)
Featured writers
Brian R. Jacobson (University of Toronto) and Jennifer Peterson (Woodbury University)
June
Zero Days (Alex Gibney, 2016)
Featured writers
Seth Feldman (York University) and Jonathan Cohn (University of Alberta)
July
Cameraperson (Kirsten Johnson, 2016)
Featured writers
Patrik Sjöberg (Karlstad University) and Vera Brunner-Sung (Ohio State University)
August
Tower (Keith Maitland, 2016)
Featured writers
Bella Honess Roe (University of Surrey) and Ethan Thompson (Texas A&M: Corpus Christi)
September
The Prison in Twelve Landscapes (Brett Story, 2016)
Featured writers
Chris Barnes (Syracuse University) and Laurel Ahnert (Georgia State University)
October
Fire at Sea (Gianfranco Rosi, 2016)
Featured writers
Nilo Couret (University of Michigan) and Linnéa Hussein (New York University)
November
I Am Not Your Negro (Raoul Peck, 2016)
Featured writers
Ellen C. Scott (UCLA) and Laura Rascaroli (University College Cork)
December
National Bird (Sonia Kennebeck, 2016)
Featured writers
Kristopher Fallon (UC, Davis) and Daniel Grinberg (UC, Santa Barbara)
DOCALOGUE 
I’m so glad this project exists. Have you considered a month on Tower? I’m just a nobody, but I’d be happy to write a few pages on it for the site to help get conversations started.
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Tower is definitely on the list of films we’re considering for the future, Kian. Stay tuned!
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I’d be happy to say something about Zero Days (Alex Gibney, 2016). The film is available for free online.
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Great idea, Seth. We’ll take it under advisement and be in touch!
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